Figma’s typography is Modern – aligning with universal ideals and erring towards simplicity. For instance, we avoid serif type within the main brand, and overly ornate typesetting. Practically, we skew towards the minimum number of typographic devices to communicate our message – condensing as many styles as we can within a graphic into a few meaningful gestures.
Apercu's Modern style helps us to strive for simplicity and clarity.
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890!@£$%^&*()_+
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890!@£$%^&*()_+
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890!@£$%^&*()_+
There aren’t hard lined rules around font-sizes. However, a good rule of thumb is to use the fibonacci sequence to make sure there is appropriate contrast between type sizes.
Apercu Regular
64Apercu Regular
45Apercu Regular
30Apercu Regular
15Apercu Regular
10Apercu Regular
When setting text, try and maintain a type size/leading ratio of about 1/1.3-1.5. In Figma we automatically default to % for leading – use between 110%-120% leading based on font size.
Every design begins with same basic elements – points, lines, and shapes. Similarly, even the most complex designs can be reduced to these indispensable pieces. It’s our belief that a great design is one where these pieces are used efficiently together.
For instance, early on when designing Figma we often talked about what tools you need to create modern design for screens. We realized that the tool set does not have to be large if the tools are carefully selected and work together well. With a small set of functions (like the vector-network tool or a frame), designers can create a lot of different things to form complex means of expression.
The same is true for communications design. You can create much of our designed world by using a small set of elemental shapes to build things of great complexity. Although the use of primary shapes and colors was famously promoted at the Bauhaus school as fundamental to design, these forms have been part of the language of design for hundreds of years
In all typesetting strive to use as few elements as possible to communicate your message. Minimize the number of font sizes, weights, cuts, etc. whenever possible.
Try to avoid outlined type as much as possible.
For using arrows stick with a ratio of 2:1 and a 45º angle to create a balanced look.